Late Summer News from Keeril Makan, Annie Gosfield, and Pierre Jalbert

by Ted Gordon on Aug. 31, 2012, 5:40 p.m.

The dog days of summer are upon us, though you wouldn't know it from the activities of our PSNY composers! Annie Gosfield has just released her fourth album on John Zorn's Tzadik label, entitled Almost Truths and Open Deceptions. New York City audiences will be able to hear new works from the album, as well as other works by Gosfield, performed on September 14th at the Bohemian National Hall at the Czech Center, as a part of the Austrian Cultural Forum's annual Moving Sounds Festival. For those unfamiliar with Gosfield's music, here's a clip of the MIVOS Quartet performing The Blue Horse Walks on the Horizon, available on PSNY:

On the other side of the Atlantic, BBC Radio 3 has recently broadcast two works by Keeril Makan on Max Reinhardt's Late Junction show: The Noise Between Thoughts and Resonance Alloy, both available on PSNY. Sample the beautiful recording of Resonance Alloy here: 

Finishing up this week's news, we have recently published Pierre Jalbert's The Invention of the Saxophone on a poem by Billy Collins, for alto saxophone, percussion, and optional narrator. Listen to a sample of the piece here: 

Keep tuned for our next post next week with some exciting announcements for the new season!

Springtime for New Music

by Ted Gordon on March 13, 2012, 2:25 p.m.

A lot has happened at PSNY since we last brought you news of the first ever digital publication of Morton Subotnick's chamber music: we've added almost 20 new works by several of our composers, including Adrian Knight, Timothy Andres, Alex Mincek, Tobias Picker, Pierre Jalbert, and Fred Lerdahl. Here are some highlights from this recent round of additions:

Adrian Knight's "Daedaldualism," for electric guitar, synthesizer, and live electronics:

Like Subotnick, Knight writes much of his chamber music to include electronics, both fixed and live. We're especially exited to be able to publish his music through PSNY since it seems a perfect fit for music with electronics-- all patches and programs are downloadable, and we're more than happy to answer any questions about the technical requirements. 

Alex Mincek's "Karate", for two saxophones:

"Karate" is just one of several pieces Mincek has written for saxophone, an instrument with which he is intimately familiar. "Karate," in particular, bursts with virtuosic, competitive tension, as two saxophones are seemingly pitted against each other in battle. Strongly reminiscent of John Zorn's early "game pieces" in structure, as well as the wildly frenetic aesthetic of "For Alto"-era Anthony Braxton.

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