European American Music Distributors Company is a member of the Schott Music Group
2018 announcement (blog size)
Soper IPSA banner USE
Subotnick Greenroom banner
Norman Trip to the Moon Greenroom

Composers

Blog Archive

201920182017201620152014201320122011

Newsletter

Posts tagged 'Ann Cleare'

Ann Cleare Wins Ernst von Siemens Music Foundation Composers' Prize

Ann Cleare has won a 2019 Ernst von Siemens Music Foundation Composers' Prize—one of the most prestigious and significant awards in music, and the first Siemens Foundation prize to be awarded to an Irish composer. On June 7th, Cleare will recieve the award, alongside fellow awardees Annesley Black and Mithatcan Öcal, at a ceremony that will also include screenings of short films about all three composers, as well as a performance of Cleare's chamber ensemble work, on magnetic fields. The award also includes a portrait album on the Viennese label KAIROS, to be released later in 2019.

The musicologist Gascia Ouzounian has written an essay on Cleare's works, including her ensemble work on magnetic fields (2011-2012), her string quartet Moil (2010), and I Am Not a Clockmaker Either (2009), for accordion and electronics. Ouzounian asks:

is it music at all? Or is it something else, an altogether different artform that draws from musical traditions, but pushes against and beyond them, articulating something that is at once about sound, but that is equally concerned with energy, motion, space – and the world itself?

Ann Cleare & Alex Mincek in ICE's "Animal Behaviors"


(Ryan Muncy, saxophonist)

The International Contemporary Ensemble (ICE) consists of some of the best instrumentalists in contemporary music, who regularly champion ensemble works by some of the most fascinating composers of our time. In a free "pop-up" concert at Columbia's Miller Theatre on June 6th, members of ICE will split off to perform solo and duo works that dig into the sonic profiles of individual instruments and players, in a program titled "ICE: Animal Behaviors". 

ICE saxophonist Ryan Muncy will perform Ann Cleare's luna (the eye that opens the other eye) for alto saxophone, as well as Alex Mincek's Pendulum III, for alto saxophone and piano, alongside pianist Jacob Greenberg. In Cleare's luna, the composer writes that "the saxophone should be thought of as a dragonfly with eyes so big they cover almost its entire head, giving it a helmeted appeaance and a full 360-degree field of vision." Check out a recording below. 

ICE and Cleare will return to the Miller Theatre in 2018 with a Composer Portrait concert, featuring a newly-commissioned work, two world premieres, and performances of the square of yellow light that is your window and dorchadas

Mincek's Pendulum IIIis an early entry in the composer's Pendulum series, in which musical material oscillates between two poles, accellerating, decelerating, reaching tipping points, and repeating. Check out a 2015 recording by Michael Ibrahim and Ron Stabinsky below. 

Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra

Since 2009, Ann Cleare has been composing new works for contrabass wind instruments in a series of works entitled eyam. As Cleare writes, her eyam works involve "building sonic structures and language from the visual and acoustic architectures of these large instruments, animating the peculiarity of their rich spectrums and orchestrating such qualities into vibrant sonic sculptures through a variety of acoustic, orchestral, and electronic set ups." 

On February 14th, the fifth of these works—eyam v (woven)—premeires at the RTÉ National Symphony Orchestra of Ireland, performed with soloists Richard Craig (contrabass flute) and Carol McGonnell (contrabass clarinet). Cleare recently spoke about her eyam series, named after the so-called "plague town" of Eyam in Derbyshire, with the Contemporary Music Centre in Ireland: 

Tag Cloud