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Posts tagged 'Miller Theatre'

New Music from Wollschleger, Hearne, and Balter

Scott Wollschleger's long-anticipated album, Soft Aberration, has just been released on New Focus Recordings. Featuring Brontal Symmetry, Soft Aberration, Bring Something Incomprehensible Into This World, and String Quartet No. 2 "White Wall", Wollschleger's new album features performances by soprano Corrine Byrne, trumpeter Andy Kozar, violist Anne Lanzilotti, cellist John Popham, pianist Karl Larson, the Mivos Quartet, and the Longleash trio. In a series of informative blog posts, Lanzilotti has written extensively on Wollschleger's concept of "brontal": 

a made up word that longtime collaborator Kevin Sims coined after making a series of pencil drawings on orange paper. The word now embodies Wollschleger’s aesthetic: the idea that we can create something very basic and human by discovering the sensation of an object. In doing this, we are making something unfamiliar very immediate. This process of discovery can be very focused and also, at times, very funny.

Check out Wollschleger's new album below. 

On October 21st at 7.30pm, the New World Symphony will premiere a new work by Ted Hearne entitled Miami in Movements. But while this piece was composed by Hearne, the musical material that Hearne had composed is made up of over 1,050 videos and audio recordings, made by the people of Miami, that record the feelings, impressions, and emotions they associate with their city. Working with videographer Jonathan David Kane, Hearne has created Miami in Movements for Project 305, a concert program by the NWS that features Hearne's new work in a free, public "wallcast" performance

Just as Miami in Movements was created specificly for the city of Miami, the Jack Quartet has put together a touring program of American string quartets from the 20th and 21st centuries, which they have titled "Soundscape America". Their program, which premieres on October 21 at Columbia University's Miller Theatre, includes classics such as Ruth Crawford Seeger's String Quartet 1931, as well as more contemporary works such as Marcos Balter'sChambers. This work, which was commissioned and premiered in 2011 by the Spektral Quartet, offers three movements that condense the different aspects of Balter's musical identity into a single work. Check out Spektral's recording, released on Parlour Tapes, below. 

Ann Cleare & Alex Mincek in ICE's "Animal Behaviors"


(Ryan Muncy, saxophonist)

The International Contemporary Ensemble (ICE) consists of some of the best instrumentalists in contemporary music, who regularly champion ensemble works by some of the most fascinating composers of our time. In a free "pop-up" concert at Columbia's Miller Theatre on June 6th, members of ICE will split off to perform solo and duo works that dig into the sonic profiles of individual instruments and players, in a program titled "ICE: Animal Behaviors". 

ICE saxophonist Ryan Muncy will perform Ann Cleare's luna (the eye that opens the other eye) for alto saxophone, as well as Alex Mincek's Pendulum III, for alto saxophone and piano, alongside pianist Jacob Greenberg. In Cleare's luna, the composer writes that "the saxophone should be thought of as a dragonfly with eyes so big they cover almost its entire head, giving it a helmeted appeaance and a full 360-degree field of vision." Check out a recording below. 

ICE and Cleare will return to the Miller Theatre in 2018 with a Composer Portrait concert, featuring a newly-commissioned work, two world premieres, and performances of the square of yellow light that is your window and dorchadas

Mincek's Pendulum IIIis an early entry in the composer's Pendulum series, in which musical material oscillates between two poles, accellerating, decelerating, reaching tipping points, and repeating. Check out a 2015 recording by Michael Ibrahim and Ron Stabinsky below. 

Beat Furrer in Portrait at Miller Theatre with Either/Or Ensemble

The "Composer Portraits" series at Columbia University's Miller Theatre has brought the public an unprecedented in-depth look (and listen) into the works of countless living composers over the years. On February 2, Miller Theatre hosts a Portrait Concert featuring the works of Beat Furrer, the renowned Austrian composer, performed by the Either/Or Ensemble.

The program includes the US Premiere of his recent work for clarinet and string quartet, intorno al bianco, as well as linea dell'orizzonte, for ensemble, Ira-Arca, for bass flute and double bass, amd spur for piano and string quartet.

The Either/Or Ensemble was co-founded by fellow PSNY composer Richard Carrick, who will conduct the evening's performances. (This resonates with Furrer's own history as a composer and conductor, having founded Klangforum Wien in 1985). Carrick recently returned to the United States from Rwanda, where he held a Guggenheim Fellowship. In addition to returning to Either/Or, Carrick also returns to a new post in Boston as the Chair of the Composition Department at the Berklee School of Music. 

Check out a recording of Furrer's spur below. 

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