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Posts tagged 'New World Symphony'

New Music from Wollschleger, Hearne, and Balter

Scott Wollschleger's long-anticipated album, Soft Aberration, has just been released on New Focus Recordings. Featuring Brontal Symmetry, Soft Aberration, Bring Something Incomprehensible Into This World, and String Quartet No. 2 "White Wall", Wollschleger's new album features performances by soprano Corrine Byrne, trumpeter Andy Kozar, violist Anne Lanzilotti, cellist John Popham, pianist Karl Larson, the Mivos Quartet, and the Longleash trio. In a series of informative blog posts, Lanzilotti has written extensively on Wollschleger's concept of "brontal": 

a made up word that longtime collaborator Kevin Sims coined after making a series of pencil drawings on orange paper. The word now embodies Wollschleger’s aesthetic: the idea that we can create something very basic and human by discovering the sensation of an object. In doing this, we are making something unfamiliar very immediate. This process of discovery can be very focused and also, at times, very funny.

Check out Wollschleger's new album below. 

On October 21st at 7.30pm, the New World Symphony will premiere a new work by Ted Hearne entitled Miami in Movements. But while this piece was composed by Hearne, the musical material that Hearne had composed is made up of over 1,050 videos and audio recordings, made by the people of Miami, that record the feelings, impressions, and emotions they associate with their city. Working with videographer Jonathan David Kane, Hearne has created Miami in Movements for Project 305, a concert program by the NWS that features Hearne's new work in a free, public "wallcast" performance

Just as Miami in Movements was created specificly for the city of Miami, the Jack Quartet has put together a touring program of American string quartets from the 20th and 21st centuries, which they have titled "Soundscape America". Their program, which premieres on October 21 at Columbia University's Miller Theatre, includes classics such as Ruth Crawford Seeger's String Quartet 1931, as well as more contemporary works such as Marcos Balter'sChambers. This work, which was commissioned and premiered in 2011 by the Spektral Quartet, offers three movements that condense the different aspects of Balter's musical identity into a single work. Check out Spektral's recording, released on Parlour Tapes, below. 

Ted Hearne's "The Source" Released on New Amsterdam Records

Ted Hearne's The Source, an immanently engrossing work based on the story of U.S. Army Private Chelsea Manning, will be released by New Amsterdam Records in late October of this year. The work, a "modern-day oratorio", sets texts made available via WikiLeaks to Hearne's charactaristically powerful musical language. Hearne emphasizes that the work "never asks the audience to pretend the musicians are fictional characters," and also "approaches its subject matter through discrete movements with tangentially related texts, rather than through traditional narrative storytelling"—two features of oratorios stretching back to the 18th century. 

Hearne will also see the West-coast premiere of Dispatches, a co-commission from the New World Symphony and the San Francisco Symphony. The new work will be performed on programs from September 30th-October 3rd, paired with Tchaikovsky's Symphony No. 6 (Pathétique). In addition to an interview with I Care If You Listen, Hearne has also done a video interview with the SF Symphony, with some previews of the piece itself: 

Finally, Hearne will also have another premiere on the American Composers' Orchestra SONiC Festival by Grammy-award winning vocal ensemble Roomful of Teeth. The new work, Coloring Book, will premiere on October 17th at National Sawdust, a new venue for contemporary music in Williasburg, Brooklyn. Hearne is no stranger to writing for vocal ensembles; check out his Consent, for 16 voices, to get a taste for Hearne's cascading, generative, and powerful compositional voice.

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