Æolus Quartet Performs Keeril Makan's "Washed by Fire"

by Ted Gordon on Feb. 21, 2017, 10:54 a.m.

Keeril Makan's Washed by Fire (for string quartet) explores the performance of identity—personal, sonic, and compositional. Makan began this piece by collaborating with choreographer Benjamin Levy, and strove to "[create] a piece that resonated with me on a fundamental level, one in which my emotions are not filtered by abstraction, where the focus is on a visceral connection with time." As such, Washed by Fire stands out in Makan's repertoire; Makan writes, "by embracing musical references that my mind often avoids, I was able to reconnect with rhythm, melody, and mode in a way that is markedly different from my other recent music."

The Æolus Quartet will bring Washed by Fire to Corpus Christi, TX, in a series of two concerts: one on February 24th at the House of Rock, and another on February 25th at Wolfe Recital Hall. Check out Washed by Fire performed by members of the Either/Or Ensemble below. 

Beat Furrer in Portrait at Miller Theatre with Either/Or Ensemble

by Ted Gordon on Jan. 31, 2017, 3:13 p.m.

The "Composer Portraits" series at Columbia University's Miller Theatre has brought the public an unprecedented in-depth look (and listen) into the works of countless living composers over the years. On February 2, Miller Theatre hosts a Portrait Concert featuring the works of Beat Furrer, the renowned Austrian composer, performed by the Either/Or Ensemble.

The program includes the US Premiere of his recent work for clarinet and string quartet, intorno al bianco, as well as linea dell'orizzonte, for ensemble, Ira-Arca, for bass flute and double bass, amd spur for piano and string quartet.

The Either/Or Ensemble was co-founded by fellow PSNY composer Richard Carrick, who will conduct the evening's performances. (This resonates with Furrer's own history as a composer and conductor, having founded Klangforum Wien in 1985). Carrick recently returned to the United States from Rwanda, where he held a Guggenheim Fellowship. In addition to returning to Either/Or, Carrick also returns to a new post in Boston as the Chair of the Composition Department at the Berklee School of Music. 

Check out a recording of Furrer's spur below. 

Lerdahl and Carrick Performed by Sound Icon in Boston

by Ted Gordon on Sept. 26, 2016, 10:06 p.m.

Fred Lerdahl, composer, music theorist, and long-time professor at Columbia University, will be the composer-in-residence at the Boston University Center for New Music twice in the upcoming season: first in September, and later in January 2017. To kick off the residency, Boston's new music sinfonietta Sound Icon will perform Ledahl's Time after Time in their season opening concert on September 30 at Boston University's CFA Concert Hall.

Bridge Records, which has released numerous recordings of Lerdahl's work, including Time after Time, calls Lerdahl "one of the least known among "major" American composers." Of his singular style, Bridge writes that "a Lerdahl composition might at any moment be tonal or atonal, it might luxuriate in Lerdahl's rich melodic and harmonic gifts, or it might make reference to various musics of our past." 

            
(pages from Time after Time)

Time after Time, scored for Pierrot ensemble (flute, clarinet, violin, cello, piano, percussion), was commissioned and premiered by the Washington Square Contemporary Music Society in 2000 and a finalist for the 2001 Pulitzer Prize in Music. The work employs Lerdahl signature "spiral form", in which simple ideas become deeply elaborated and more complex with each cycle. Listen to an excerpt:

Sound Icon's program also includes a performance of PSNY composer Richard Carrick's dark flow, a double quartet for saxophone, trombone, acoustic guitar, percussion, violin, piano, cello and cibalom. Carrick takes inspiration for this work from the "hypothetical and unexplained flow of galaxy clusters toward a particular point in deep space," a phenomenon described as "dark flow." Carrick elaborates: 

In astrophysics, dark flow refers to the hypothetical and unexplained flow of galaxy clusters toward a particular point in deep space.  Interestingly, some speculate this influence on galaxies comes from a part of the universe that no longer exists, but somehow still carries an influence on matter.  This "invisible pull" is something that exist deep in music as well, something strongly felt but not easily defined.

Check out a performance of dark flow with the Either/Or Ensemble: 

The program, presented by the Boston University Center for New Music on September 30, also includes performances of works by Rick Burkhardt and features soprano Jennifer Ashe.