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FLUX Quartet Performs Michael Hersch's "Images from a Closed Ward" with Live Video Projection

The music of Michael Hersch often addresses some of the most intense of human emotions and events: loss, suffering, pain, and darkness, what frequent collaborator Patricia Kopatchinskaja calls "this dark side, this shadow and blood." Indeed, the work that inspired Kopatchinskaja to work with Hersch was his 2010 string quartet, Images from a Closed Ward, which emerged from Hersch's encounter with the visual art of Michael Mazur, whom Hersch met in 2000 at the American Academy of Rome. This 13-movement string quartet responds directly to Mazur's gripping series of etchings and lithographs that depict the lives of residents—many of whom were committed against their will—at a Rhode Island mental institution in the early 1960s. 

The isolation, pain, and sorrow of Mazur's work is directly evoked in this masterful string quartet's movements, which transition between what the New York Times has called "creeping dread and desperate urgency." Hersch's gestural language seamlessly moves through texture, timbre, and harmony, using the four instruments of the string quartet as an organic being that convulses and laments, both statically and dynamically. In evoking the pain of disabled people treated with injustice and violence from a broken institutional system, it also allows listeners to imagine possibilities for restitution, justice, and ultimately peace.

A Lithograph by Michael Mazur  A Lithograph by Michael Mazur 

Originally commissioned and premiered by the Blair String Quartet in 2012, Images from a Closed Ward was recently recorded by the FLUX Quartet and released on New Focus Recordings in 2018. In addition to this new recording, the FLUX Quartet has also performed Images from a Closed Ward with a new live video projection, designed by James Matthew Daniel, which superimposes images of Mazur's works, excerpts of poetry, documentary photographs from mental institutions in the mid-20th-century, and other documentation related to those institutions on the performing quartet. The result is an even more powerful event that combines Hersch's sonic language with the visual work and poetry to which it responds, contextualizing and placing the quartet in the middle of a multi-sensory field. 

This video, taken from a performance at Philadelphia's Icebox Project Space, documents the FLUX Quartet's masterful performance of Hersch's work, and serves both as a compliment to their recent recording and also as a standalone work with its own unique combination of audio-visual poetics. Watch the full performance below.

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