Anthony Cheung (born 1982, San Francisco) is a composer and pianist. His music has been commissioned by the Ensemble Modern, Ensemble Intercontemporain, New York Philharmonic, Frankfurt Radio Symphony Orchestra, Scharoun Ensemble Berlin, and also performed by Le Nouvel Ensemble Moderne, Linea, the Chicago Symphony’s MusicNOW ensemble, the Minnesota Orchestra, and the French National Orchestras of Lille and Lorraine, among others.
He has received awards from the American Academy of Arts and Letters and ASCAP, and first prize in the Sixth International Dutilleux Competition (2008), as well as a Rome Prize from the American Academy in Rome (2012). He has also received commissions from the Koussevitzky Music Foundation and the Fromm Foundation.
His music has been programmed at festivals such as Ultraschall (Berlin), Cresc. Biennale (Frankfurt), Wittener Tage, Heidelberger Frühling, Helsinki Festival and Musica Nova Helsinki, Centre Acanthes, Musica (Strasbourg), and Nuova Consonanza (Rome).
A first portrait CD appears in June 2014 on the Ensemble Modern Medien label, and his music and/or performances have been released on New Focus, Tzadik, and Mode.
As a performer and advocate for new music, he is Artistic Director of the Talea Ensemble in New York, which he co-founded in 2007. With the Talea Ensemble, he actively programs and promotes new music, and has performed extensively in the US and abroad as a specialist of new music, working with composers such as Pierre Boulez, Stefano Gervasoni, Tristan Murail, Hans Abrahamsen, Iancu Dumitrescu, Julian Anderson, and Steve Coleman.
As a writer and scholar, he has completed a dissertation on György Ligeti (on the Hamburg Concerto, 2010), as well as articles on contemporary music for both specialists and a general readership. Primary musical interests include notational aesthetics, jazz improvisation and transcription, microtonality and alternate tunings, rhythmic polyphony, and temporal perception, and his music also engages poetic imagery, syntax and rhetoric, natural phenomena, and the visual arts.
Anthony received a BA in Music and History from Harvard and a doctorate from Columbia University, where he taught and also served as assistant conductor of the Columbia University Orchestra. He was a Junior Fellow at the Harvard Society of Fellows, and is currently an Assistant Professor of Music at the University of Chicago.